Brown Brothers Patricia Cabernet Sauvignon 2004

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At the moment, I’m in the middle of teaching a WSET Level 2 course. Although it’s three very long Saturdays it’s also a lot of fun. One of the best bits of running the course is choosing the wines beforehand. The WSET issues guidelines about the wines we should show, so I don’t have carte blanche, but the suggestions are broad enough to allow lots of diversity for me.

When wines are working well, I will use them repeatedly (hello, Georges duBoeuf Beaujolais Villages!) but sometimes a wine doesn’t show well or, for some of the more premium wines in particular, I struggle with availability.

One wine that changes almost every course is the premium New World Cabernet Sauvignon. Naturally I ALWAYS show an Australian wine and I always try to choose a wine with a bit of age on it. A couple of years ago I was lucky enough to have a few bottles of 1996 and 1997 Wynns John Riddoch in my cellar. Using them in a course is a great way to actually open them (rather than sitting around waiting for the perfect moment) and hopefully it is also a treat for the students. This no doubt says something about South Australian palates … but these wines are always amongst the best received in the whole course.

Anyway, with no gems left in the cellar, I had to buy. I chose the Brown Brothers 2004 Patricia on a bit of a whim. It had some age and I have a lot of respect for the wines that Brown Brothers produces across their range. Don’t take this as meaning I unilaterally love everything that the company produces, but overall they are amongst my ‘safe’ picks.

The Patricia wines are Brown Brothers’ flagship wines and are named after the family’s matriarch, Patricia Brown, who died in 2004. Brown Brothers doesn’t release these wines every vintage and the wines get the best treatment. So you expect something good.

And my goodness me – this wine totally over delivers on that promise. It might be almost 11 years old (the back label says its cellaring potential is 6-10 years) but it is an unbelievably vibrant and youthful wine. In a word – it is DELICIOUS. And absolutely worth every penny of its $59 price tag. I only wish I were wealthy enough to drink this kind of wine on a very regular basis.

It was also extremely handy that the current class has someone from a (well known) winery who had tasted that winery’s back vintage Cabernet Sauvignons the day before. Apparently the Patricia put a lot of those wines firmly in the shade so I am not alone in my admiration for this wine.

The wine

In the glass, it is ruby and very deeply & intensely coloured. Even at 10+ years, it is looking young.

The nose is pronounced and the fresh fruit is starting to drop off, being replaced with a very attractive cedar, tobacco and worn leather character, there is also some warm spice such as clove or nutmeg.

The palate is positively bursting with fresh fruit, there is good acidity and the tannins are very firm but pleasantly chalky, rather than mouth strippingly drying, fresh blackcurrant, blackcurrant jubes, some vanilla, touch of baked black fruit, and some milk chocolate.

I wrote this tasting note on the second day and it was still showing such vibrant, fresh fruit – an absolutely beautiful wine.

Purchased from the Ed Cellars, $59.
Cork.
13.5% abv.

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Deviation Road 2014 Pinot Gris

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I am a little fussy about my Pinot Gris. Those made in the more neutral Italian style (and so generally labelled Pinot Grigio) I find lacking in interest. This may be the fault of English pubs, who for so long served dull, dull, and cheap Pinot Grigio as the standard house offering. But those made in the more textural (wine wanker word, I know!), savoury and intense Alsace style (labelled Pinot Gris) I do find myself getting along with. The Adelaide Hills in particular appears to be a happy hunting ground for this style of Pinot Gris. My experience thus far leads me to believe that these are wines that generally benefit drinking young and that the wineries that are getting ‘it’ right are getting ‘it’ right consistently.

Deviation Road is one such winery. I am a huge fan of Kate and Hamish Laurie’s Longwood outfit (although, despite living about half an hour down the road, I’ve never got myself to the cellar door). I’ve been lucky enough to sample their new releases a couple of years in a row, and around the middle of last year I interviewed Kate for an essay. Kate is probably the easiest interviewee I’ve dealt with ever.

So I have a massive soft spot for these wines. I was impressed by the 2013 Pinot Gris so I was keen to have a look at the 2014. In addition, I’d very recently tasted the Pinot Gris which had picked up several gongs at the Royal Adelaide Wine Show. I’d been rather underwhelmed by that wine but I was interested to see how the Deviation Road equivalent (at almost twice the price) would stack up.

In brief, the Deviation Road more than stacks up. I would much rather have, enjoy and savour one bottle of the Deviation Road Pinot Gris than the equivalent two bottles of the medal winner. This just proves to me (yet again) that while wine shows have their place, punters need to be aware that not every wine is entered and the show results are best viewed as a rough guide, rather than a definitive state of the nation.

The wine

The nose shows quite pronounced pear and pear drop characters, with some green apple and slight melon.

The palate shows off the pear – ripe, but not overripe and none of the potentially confected pear drop that I saw on the nose. Green apple, citrus and an all important touch of warm spice all make an appearance. There is good acidity, coupled with excellent mouth feel and texture as well as good length.

I think that this wine more than demonstrates that it’s possible to buy wine that is both approachable and classy. With a recommended retail price of $28 it may not fall into your every day drinking price bracket but it is definitely worth every penny.

Sample, RRP $28. Deviation Road is distributed by Negociants so it shouldn’t be too hard to track down and you can buy the 2013 through the Deviation Road website.
Screwcap.
12.5% abv.

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Whistling Duck 2014 Sauvignon Blanc Semillon

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Like I’m sure almost everyone reading this, the run up to Christmas and beyond is hectic. I’d like to offer up several reasons (read, birthdays) why our December is more hectic than most … but I know that everyone finds themselves in that predicament. Even work Christmas parties appear to be getting earlier and earlier (Andy missed his while we were away – and that was early November).

With more parties, BBQs and Christmas drinks than you can throw a shoe at, my December action plan always ensures that I get in a collection of reasonably priced wine that I can have ready to go when I need to head somewhere. Early in the month, I had a stash of the ever reliable Thorn-Clarke Riesling but as December marched on, stocks were running low.

Of course, I’m signed up to plenty of wine related email lists who all wanted to sell me something but the one that caught my eye (arrived on the right day) was one from Virgin Wines. I’d used Virgin Wines for about a year or so when I’d lived in the UK and had had no troubles so, given the generous nature of the offer (a case of wine and two bottles of Prosecco for $100, delivery inclusive) I had to give it a go.

A lot of the bottles from the mixed case have been distributed far and wide and remain untasted by me. Of the wines I have tried they have been quite hit and miss. There was a Chardonnay in the case which was actually quite OK and the red I am currently drinking is a very approachable, even if not madly interesting, wine. And given that I’ve paid under $10 a bottle for them, I am happy with the return on my investment.

Unfortunately, this Sauvignon Blanc Semillon didn’t repay me in quite the same manner. Someone went crazy with the ‘fruitiness’. My gut feeling is that this is the kind of wine that could well be a hit with younger drinkers who are taking their first steps with wine.

I was also underwhelmed that by purchasing this case I rather unwittingly signed myself up to a regular 3-monthly delivery of wines. I unsubscribed from that quick smart!

The wine

Very pale in the glass.

Nose quite pronounced and definitely showing off the Sauvignon Blanc. Gooseberry, lychee with a strong grassy, and even dried grass, back note.

Palate – very “fruity” and rather smacking of some sugar – again the Sauvignon Blanc is at the fore but with melon and passionfruit. Not bad acidity but not really enough to back up the ‘fruitiness’. It is a little short and one dimensional although it does have a reasonably satisfying savoury herbal twist to it.

Best served cold and for drinking, rather than intellectualising.

The RRP on the Virgin Wines site is $17 a bottle, which is, in my opinion, too much. However, I bought it in a case where it worked out at under $10 a bottle … and at that price point, if you like this type of wine, it is probably OK.

Virgin Wines.
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12.0% abv

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Rhythm Stick 2012 Red Robin Riesling

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As summer rolls around and the silly season kicks off I always ensure that I have a good stash of wine around the house that I can drink, share and take out and about with me without worrying about it. It might make me a bad person, but I’m not too hot on sharing my really good wine. I’ll usually crack something special on significant family occasions (only if it can be drunk before my rellies have worked their way through too many beers and reds!) but if I’m in a large group, I like to share good wine which over delivers for its price point.

I first came across Rhythm Stick Wines at least year’s (2014) Cellar Door Festival. I enjoyed the wines then and was going to buy some except that they weren’t accepting cards. I’m lucky if I have 20c on me at any one time so that was something of a deal breaker …

But when I was on the hunt for some bargain summer drinking – obviously Riesling was on my mind – and I saw that the Red Robin Clare Valley Riesling was available at Dan’s, I popped a bottle of it in my cart and placed my click & collect order.

I was really pleased when I picked it up to find that it was a 2012 Riesling. 2012 was a cracking year for Clare Valley Rieslings and it’s always good to come across one. Note to Dan’s though – really, you need to get your attitude towards vintage together – for ALL your wines. There’s a good chance I’ll buy more of this wine but no chance I’ll do it online through you since I can’t control what vintage I get. However, it’s very worth noting that you can buy direct from the producer …

My apologies for two Riesling posts back to back – however, at under $20 a bottle, this is more affordable and definitely in the every day drinking category (for those of us who can’t routinely splash $70 on a bottle of wine).

Pale gold in the glass – perhaps starting to show a little age and development.

The nose is pronounced with the distinctive rubber and kerosene characteristic that some Rieslings take on with age. There’s lemon and pineapple with a hint of both spice and flowers.

The palate is dry and citrussy with plenty of acidity and the wine shows off a really pleasant top note of honeysuckle. The wine has good length and texture. It’s very enjoyable to drink and provokes just enough thought. However, I’d avoid serving this too cold – I found that straight from the fridge the palate was a little narrow and fell short but the wine really opened up given some time out of the fridge.

As with almost all young(ish) Riesling, you need not be in a hurry to drink this.

This was purchased from Dan Murphys, $20 a bottle but you can purchase (vintage specific and even back vintage) wines direct from the winery.
Screw cap.
12.5% abv.

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Loimer 2007 Langenlois Terrassen Riesling

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This wine was a generous gift from a friend. I swapped a baby seat for this and a bottle of Adelaide Hills Pinot Noir (not yet drunk). Based on the Riesling alone I definitely got the better end of the deal.

The friend who gave this to me is not a particularly big wine drinker. However, unlike a lot of people who get slightly freaked out by my outside the norm interest in wine – and who promptly spend a fortune on giving me things like flowers, he did the sensible thing.

It might be a bit late to be handing out wine gift buying advice now but if you are buying for a wine lover (any time of year) don’t be intimidated by what you perceive to be either their knowledge or enthusiasm and buy them something other than wine. Even wine paraphernalia can miss the mark (seriously, do you know how many corkscrews we have? more than one for every room and that includes my favourite one which lives in my handbag). But a bottle of wine will ALWAYS hit the mark.

What you need to do is set yourself a budget and head to a serious (and most likely independent) bottle shop. You need to be in a wine shop where all the staff are enthusiasts and who will know their stock – so now is the not the time to head to the local.

The chances are you already know something about what the recipient likes or doesn’t like when it comes to wine (if you really have no idea then a voucher from the bottle shop might be the best idea but you can always ask the recipient for a few favourite wine suggestions) and armed with this, the bottle shop staff should be able to point you in the right direction.

And so … my good friend arrived with two classy bottles of wine. If the second is anywhere near as good as this, I am in for a treat!

While most of us have formed an association between Austria and Grüaut;ner Veltliner, it is hardly surprising that it should also produce quality Rieslings. I can’t pretend to be familiar with aged Austrian Rieslings but any lover of aged Riesling would be happy with this wine.

A striking pale gold in the glass with a pronounced nose.

The oily, rubbery, kero characters of older Riesling dominate the nose, but there are very subtle floral characteristics, including a touch of rose water.

The palate shows off more of the floral characters, along with a slight honeyed characteristic with a ton of acidity which pulls through a crisp, tart green apple, almost sherberty finish. Definite green apple skin, with plenty of texture, lovely mouthfeel and good length. A very moreish wine that delivers plenty of interest and very much a style of Riesling that I enjoy.

Most people will detect a hint of RS (I couldn’t find any tasting notes for the 07 which specified this) but this is more than balanced by the stunning acidity. In a sentence – green apple skin with a touch of honey and rosewater.

A gift – but it is available from East End Cellars where it retails around $70.
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I failed to note the alcohol content of the wine but the internet suggests it’s 13.5% abv which I find surprisingly high. So don’t quote me on that one.

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Carpene Malvolti 1868 Cartizze Prosecco

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Prosecco suffers from an image problem – even worse than that suffered by Cava, in my opinion. There are a lot of reasons for this – and the biggie is that because it’s a sparkling wine people immediately compare it with Champagne and Champagne it isn’t. Prosecco has a few different classifications in Italy – the most widely recognised is perhaps Prosecco di Valdobbiadene DOCG (promoted from DOC in 2009). You may also see Conigliano, Valdobbiadene-Conigliano or even Cartizze. Cartizze is a high vineyard of just over 100 hectares and is considered the granddaddy (or ‘grand cru’, if you will) of Prosecco.

Aside from being the classification, Prosecco is also the name of the grape which constitutes the bulk of what you will find in the bottle. However, to avoid ‘confusion’, the grape Prosecco was ‘renamed’ in 2009 to Glera. You will still see plenty of Australian sparkling wine made from Glera labelled … Prosecco.

Pretty pale straw in the glass, with fine, persistent bubbles. The nose is restrained but shows some fresh lemon and ripe pear. The palate is a little one dimensional – the pear is very apparent and a touch confected. Although the Carpenè Malvolti tasting notes indicate that this wine is dry you could be forgiven for thinking there’s a touch of residual sugar (RS) present. There are also floral notes and a slightly sherberty finish.

While the wine isn’t unattractive, it’s a touch short on acidity and doesn’t offer much in the way of complexity.

I’ve not been able to track down an Australian retailer for this particular wine but others from the same stable look to be around the $20 mark, which is fair, but not brilliant, value. Given the wine’s confected character, I’d recommend drinking this at afternoon tea, with a slice of lightly toasted pandoro, dusted in icing sugar. Or use it in a Bellini or Buck’s Fizz.

This wine really wasn’t my cup of tea – too much apparent sweetness (I’ve been unable to find the wine’s actual RS anywhere) and not enough savoury characters or complexity. This wine is less apéritif and far better suited to dessert than canapés.

Not readily available. This was a prize.
Cork.
11% abv.

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Yalumba 2013 Old Bush Vine Grenache

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The Royal Adelaide Wine Show has wrapped up for another year and, positions on wine shows aside, I’ve been lucky enough to try a few of the medal winning wines from this year’s entries. This has been thanks to my involvement in the Wine Communicators of Australia SA Chapter committee – so I’m in the luxurious position of neither having to pay for the wines directly nor feeling beholden to any producer.

I was also lucky enough to be able to share these wines with some of my family and the reason I’ve chosen to write about the Yalumba Grenache first is that it was, easily, the wine that was the biggest hit with my small sample of enthusiastic non-industry drinkers. There was even some acknowledgement that seeing ‘Yalumba’ would be cause to skip the wine in a retail environment (I guess you can get too big!). This wine picked up the top gold medal in Class 34 – Grenache 2013 and older. This was a small class with fewer than 25 entries and more than half picking up medals. What conclusions to draw from this … I know not!

It is disappointing though that this the show’s lone Grenache class was so small – as Grenache is a grape capable of producing really lovely wines that hold their own against our blockbuster Shirazes and Cabernets. It is food friendly, approachable and capable of ageing. In South Australia we are also privileged to have plenty of seriously old Grenache vines. Indeed, the vines that produced the grapes for this wine were planted in 1898.

So what is it like in the glass?

Appearance wise, medium intensity, and purple-ruby in colour. The nose is reasonably pronounced, showing strawberry and strawberry leaf and stem characters with a touch of tobacco and cedar.

On the palate, the stemmy/stalky notes are very much in the background to lots of fresh red fruit – strawberries and raspberries, wrapped up with a little white pepper and warm spice. Some of the cedar shows up too. What is really lovely and refreshing about this wine is that you get to experience this spice complexity and then it wraps up with another burst of fresh, juicy strawberry. The tannins are soft and the acidity is actually not too bad either which I think adds to the sensations of ripe red fruit, but it’s not over the top (which you wouldn’t expect in a Grenache anyway) meaning there’s no tartness.

Perhaps what is most pleasing about this wine is that you can pick it up for under $20. Even at a slightly higher price point this wine would represent something of a bargain, but below $20 there’s just no excuse not to give it a try.

Widely available.
Screwcap.
13.5% abv.

Another bonus: it is both vegetarian and vegan friendly.

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Seghesio 2012 Sonoma County Zinfandel

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I’ve written about the Seghesio Old Vines Zin before but today we look at the entry level Sonoma County Zin. In the States, this retails at $US24, here in Australia you’re looking at the mid-$40 mark.

For me, Seghesio is a reliable Zinfandel producer. Having drunk (sorry, tasted) the a few of the wines on several occasions now they are always cracking, exemplary examples of both grape and style. If anyone ever said to me “I want to try an American Zinfandel” I’d recommend Seghesio without batting an eyelid.

Zinfandel is a Croatian grape variety (very handy piece of wine trivia that one!) and in the incomparable Wine Grapes it is listed under its snappy Croatian name … Tribidrag.  It has a few synonyms but the ones you’re most likely to encounter are Zinfandel (California) and Primitivo (Puglia, Italy).  There’s quite a twisty turny grape DNA story about how Tribidag, Primitivo and Zinfandel came to be identified as one and the same and for the purposes of today’s didactic content – let’s just content ourselves with the end conclusion.

Today, we find the grape growing in Croatia and some of the other countries of the former Yugoslavia, along with the US (principally California), Israel, Canada, Mexico, South Africa and even France. It’s becoming increasingly widespread in Australia too – once upon a time it was WA’s Cape Mentelle all the way if you wanted an Australian Zin but there are now producers seemingly everywhere (Kangarilla Rd pops to mind without even thinking too hard!).

In the glass the wine is an intense and deep purple – this is obviously a young wine! The nose is reasonably pronounced, showing lots of black berry fruits, black cherry, some warm spice and vanilla and even some fruitcake.

On the palate, there is all that black fruit again – most particularly the black cherries. There’s also the vanilla and good acidity which helps balance out all the fruit bomb sweetness. The palate is more complex than the nose – with licorice and milk chocolate showing too. The tannins are fine and soft. The length isn’t bad although the complexity drops off reasonably quickly and it becomes all about the black cherry fruit.

This wine is just a touch hot – the alcohol is definitely noticeable and given the wine’s rather linear finish it does rather stick out. These two factors (alcohol and finish) push me towards good rather than very good.

If you’re looking for an introduction to American Zinfandel this is a great start (even with the alcohol – that’s a big part of US Zins!) – especially if you can’t track down or afford the Old Vines.

Edinburgh Cellars.
Cork.
14.8% abv.

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What is a Standard Drink?

image © Total Control

A friend is running a social media project, Total Control, as part of some university studies. The other day on both Instagram (where I first saw it) and Facebook she published the above picture of two flutes, annotated that the glass on the left contains 100mL of wine and one standard drink.

I called her out on this pretty quickly (not because I am a bad person, but because I am a pedant!).  100mL of wine is not (necessarily) one standard drink.

In fact, one standard drink in Australia is not (necessarily) one standard drink anywhere else.  And … guess what? A standard drink has (almost certainly) nothing to do with how much you’re poured in a bar or restaurant.

Confused? I doubt you’re alone.

In fact, if we look at the Australian Government’s official guidelines on calculating standard drinks we are treated to the following …

“Volume of Container in Litres multiplied by the percentage of alcohol volume multiplied by 0.789, equals the number of standard drinks”.

0.789 is the specific gravity of ethyl alcohol and in Australia a ‘standard drink’ (or unit) is defined as 10g of ethyl alcohol.

So if you’re calculating the number of standard drinks in your schooner of beer (a schooner in South Australia is 285mL) and you happen to know the beer you’re drinking is 4.5% abv (you’re drinking a Coopers Pale, right?) then why … it’s just:

0.789 * .285 * 4.5

You can do that in your head, right?  The answer is 1.01 standard drinks.

With beer, this is (relatively) easy because beer is usually served in standardised sizes.

However, wine is a different ball game altogether.  Wine glass sizes are NOT standardised.  Sure, many venues have glasses with pouring lines on them but unless you ask you won’t know what that volume is (and even sometimes once you do ask you’ll be none the wiser).  So 100mL of a wine at 13.5% abv will indeed give you that one standard drink (well 1.07 …).  But you’re more likely to have been poured in the region of 150mL (.15*.789*13.5  = 1.6) and if you’ve got a bottle of wine on the table and you’re pouring it yourself?  You’ve got buckleys.

Once you’ve nailed your .789 times tables, you’re best off not travelling.  While the UK has standardised servings for wine (125mL, 175mL, 250mL and multiples of 175mL thereafter) the UK unit of alcohol is 10mL.

And guess what – alcohol isn’t water – there’s no cosy one-to-one relationship between volume and mass.  10mL of water will indeed be 10g of water.  10mL of alcohol?  7.9 grams.  And Australia’s 10g of alcohol comes in at 12.7mL.

But wait! There’s more!

Your bottle of wine will announce it’s 13.5% abv … but is it?  Our wine labelling laws here in Australia allow a whopping 1.5% abv difference*.  That’s not a tolerance of 1.5% but a whole actual 1.5 percentage points.  Your 13.5% abv bottle of wine might actually be 15%!

And how does that affect the maths?

.1 * .789 * 15 = 1.2

But if it’s only 12% abv …

.1 * .789 * 12 = .95

I’m a great believer that there’s no point in complaining about things if you can’t posit some possible solutions.  So, what to do?

Normally, I’d say the first thing to look at is education – but anyone who’s just read through the above is most likely reaching for a drink!

Things should be more simple.

Firstly, I believe that defining a standard drink by mass rather than volume is unnecessarily confusing.  And not only do the concepts need to be easy to understand but the maths needs to be simpler too.  Defining a standard drink as 10mL of alcohol kills both those birds with one stone. You have 100mL of a wine that’s 13.5% abv?  Guess what – that’s 1.35 standard drinks.

The follow on from this is that serving sizes in bars need to be standardised.

Finally, I believe our labelling laws are letting us down.  I’m happy to bet that most punters don’t realise there’s so much flexibility with alcohol labelling. I see no reason why the tolerance for table wine should be different to that for fortifieds or spirits and I see no reason why it can’t be a tighter and more properly defined tolerance (that is, plus or minus a percentage of what you are claiming – and that tolerance is flat, across the board).  While I’m not au fait with the technologies used by the wine industry to measure alcohol concentration I’m sure we can do better (and, in fact, we do do better because many of our export markets have much tighter requirements).

And then we have to back this up with education.

Unfortunately, I can see that these ideas do start to place extra burden across almost all sectors of the industry.  Whether or not that burden is justified, I don’t know.

Personally, I think the most critical part of any alcohol education campaign is the importance of alcohol free days (the dreaded AFD).  This is something that is really easy for people to understand – no maths involved.

One AFD a week is good, and two is better.

* Food Standard 2.7.1, July 2014.

 

 

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Delta Pinot Noir 2010

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I think that this wine appeared on a Decanter list of wines. I’m no longer sure which one but I do love lists and so often with the Decanter lists they feature wines that are either unavailable here in Australia or so expensive that they might as well be unavailable.

This Delta Pinot Noir from New Zealand’s Marlborough region is widely available and comes in at about $25 a bottle. Delta is a relatively young winery – founded in 2000 – and it produces two Pinot Noirs (both available in Australia) as well as … a Sauvignon Blanc. The business is a joint venture between a Kiwi winemaker and an English wine distributor. In its short existence, the wines of Delta have been well reviewed.

As you may know, I don’t typically buy a lot of New Zealand wine, and I certainly can’t profess to be an expert on Marlborough Pinot Noir. I also find that the $20-$30 price point for Pinot is a really tough bracket. And not tough because there is so much competition but tough because I generally find it underwhelming. While I love discovering wines that over-deliver, I find this very rarely the case with cheaper Pinot and I suspect that because I expect disappointment, I find it.

So … how does the Delta Pinot Noir perform in the glass?

It is medium to pale in intensity and garnet in colour. The nose shows raspberry and strawberry, with a hint of smokiness and stalk and ever so slight spiciness.

The palate is very fruit forward (something very common with many ‘new world’ Pinot Noirs) and shows off red cherry much more than the berry fruit of the nose. There are some soft tannins providing structure and while there’s some good acidity, the flavour profile drops off quite quickly.

In this instance, disappointment is way too strong a word. This is a tidy wine which delivers very typical Pinot characteristics and does have some structure. Is $25 too much to pay for it? Well, if you are in the market for a Pinot then, no, it’s probably not – but can you find more exciting wines at the same (or even less) cost? Why, yes.

But would I be rushing out and buying it again? To be honest – no. In my overall wine world view, this doesn’t deliver at the price. I would be interested to try out Delta’s Hatters Hill Pinot – it’s almost exactly the same price but is the winery’s flagship wine.

Dan Murphy’s (online order).
Screwcap.
13.2% abv.

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